Hi. I'm Sarah.

I've been drawing as long as I can remember. My mom kept sketchbooks around the house growing up and I always had one going. In middle school I started making little drawings for friends — birthday cards, illustrated playlists, the kind of stuff people kept on their fridges.

In high school I started painting on clothes. Jackets, jeans, the occasional pair of Vans. By the time I got to Bridgewater State I was painting people's homecoming outfits in exchange for coffee money.

I picked up tattooing in late 2023. I'd been around it for years through friends and through the artists I followed online, and at some point it stopped feeling like a leap. I started with flash on paper, then built up the chair time slowly, and the work I do now is mostly fine-line — soft traditional vocabulary, lots of botanical detail.

The studio is small on purpose. I take a maximum of three new clients a week and most weeks it's fewer. There's no walk-in traffic, no second chair, no rush. I'd rather make thirty good pieces a year than a hundred okay ones.

I draw every piece myself from scratch. I don't flash photos. I don't run designs through an AI to speed things up. If you send me a reference, I treat it as a starting point — what's the feeling you want? — and then I draw something new in my own line.

I show healed photos honestly, including the bits that softened more than I wanted them to. The only way to learn what's actually working is to look at it three months later in plain daylight.

I'm building toward a permanent boutique studio in the South Shore in 2026 — small, sun-lit, by appointment only. Same client volume, more space to work, room for a guest chair every few months.

Past that, I don't have a five-year plan and I'm not chasing one. The goal is to keep getting better at the line and to keep making pieces that mean something to the people I make them for. The rest takes care of itself.